meet wendy haynes,
leading australian wedding & civil celebrant

I love my work and have been passionate about celebrancy since I was appointed in 1995. 
I love my work and have been passionate about celebrancy since I was appointed in 1995. 
more about Wendy
The book Dancing in the streets – A history of collective joy written by Barbara Ehrenreich has captured my imagination. In her writing Ehrenreich looks at how and why people celebrate together… and also what we fear about it. She explores the history of ecstatic rituals and festivities and the way in which it has bonded communities from our early beginnings and through the Roman, Greek and early Christian civilizations to more recent times. It has been fascinating to read especially in light of my experience this weekend.
On Friday we were enjoying a three hour walk with some friends in the Derby Dales (in the UK). We made our way up from the river into the small village of Youlgreave for the classic walkers pub lunch. Hiking up the winding path into the village we heard the sound of Middle Eastern music drifting down upon the breeze. Now, in England, this is not at all usual so following my nose (or ears in this case) I came upon a hurdy gurdy man practicing a baroque piece of music… the strains were hauntingly beautiful. The player was sitting hunched over a wooden instrument slowly winding a handle on its side. His fingers tapping the keyboard attached to the underside of the instrument. He finished his piece of music and paused, rather shyly, to receive our praise.. . and our questions. Having never seen a hurdy gurdy we were full of questions. He was happy to oblige us. The hurdy gurdy is like a rather large violin with a keyboard attached and a wheel that activates a roller that performs the duty of the bow. It has a louder sound with a drone that creates a rich sound. (I hope I have done the instrument justice in my description!) Anyway, what on earth was he doing here in the village of Youlgreave? It was the 2010 Hurdy Gurdy festival and we literally stumbled upon it.
Having found the timetable for the weekend I signed up for the dance class on Saturday morning and with a small amount of nervousness and a large dose of inquisitiveness and excitement joined the line up! I had a ‘ball’! French and Breton dances are simple steps that are performed in lines, in couples and in large groups (our teacher said he has seen hundreds of people dancing together in France). Like the old barn dances I was taught in high school (many, many years ago) we twirled and spun and took simple steps here, there and everywhere. Sometimes I stumbled over my feet and my brain was confused as to what went where but overall I got the hang of it pretty quickly. During this time I spoke only a few words to the other dancers. Our focus was on the rhythm, the beat and the timing.
I went back for the afternoon session and twirled, spun and laughed some more while learning the Bourrées in 2 and 3-time, Mazurkas, Waltzes and Scottisches. The footwork and circle dances are quite hypnotic and suspend all thoughts bringing you fully into the present moment – which is lots of fun and deeply satisfying.
In the evening Roger and I attended the performance of traditional musicians (an all female group, Sym and a lively dance group called Bof!). The dancing began when Bof! hit the first strains of a Muzurka.
A few of the dancers on the floor knew me from the classes and invited me to join in. People were laughing and smiling and while I didn’t speak more than a few words to anyone present I was amongst ‘friends’ and part of the community. The bonding was extraordinary and echoed Barbara’s theories on the effect of group dancing especially at rituals or festive occasions.
I love the synchronicity of how life unfolds, the timing of meeting the hurdy gurdy man in the street, reading the book and the dance classes… and in two weeks we head to France where I am sure we will find more local dances to join in and now I know the steps!
May you enjoy a dance or two!

Following on from my blog entry yesterday, further on in Beth's uni assignment was the following story which she has given permission to share here. Thanks Beth.
My diary entry from Arnhem Land, August 2008
"Out of the swag at 5am in the darkness, walking the 2 kms to the escarpment edge-we have been asked to walk in silence, in respect for the ceremony, we arrive, women by the dozen, torchlit..to the campfire where our Yolgnu friends wait..sitting for a long time in the dark we wait in silence for the dawn, stars disappearing, we look towards the sea.
One of the women begins to speak, she tells us how the predawn is for them as Yolgnu women, it is the time they wake, and cry and sing.....for the past, for the present and for the future.
Before anyone else is awake the women are crying and singing. She explains about country. We are on Lirritja country, over there is Dhawa country. There's a lot of cloud and we won't see the sun for a little while this morning. The women chatter, then one by one begin to cry and sing, sing and cry the dawn. We are all invited to join in, to not hold back and we do.
Crying at the depth and quality of the collective voices, rising with the smoke from the fire, crying the dawn, crying our own pain, many women on this sacred land as the day wakes, we wake the day with our voices rising.
The birds begin, we sing like the birds, we sing with the birds, with the land, with the lightening dawn....then, all is quiet.
Nobody wants to move, then, one by one, women stand and speak. The Yolgnu women thank us for coming, coming the long distance from our homes, to listen to them. THEY thank US!
Galumbu had a dream as a young woman that many women would come-she said that as we sat together, her dream had become a reality.
Later I overheard a conversation-an ABC journalist was asking for an interview, she wanted to talk about women's ceremony. The elder said yes, she'd be happy to talk with her, about singing, about crying, 'our women are crying too much these days with all that is going on'.
I feel my heart open and open as I walk back to camp, to another day of sitting with the women, making baskets."
Beth wrote, "My own experience of being with the Yolgnu women of Arnhem Land was profound. I made the journey on my own around the time I was breaking up from a ten year relationship, I was traumatised and in deep grief. I'm beginning to understand why my time with these women making baskets was so transformational as I now recognise elements of the healing that occurred through the process. Collecting the fibre, dying it, weaving, the touch with natural world was enlivening. Creating a basket was a form of externalising what I was feeling, there was a safe space created, stories were told, there was listening, there was laughter, there were tears."
Thank you Beth.
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